• Price: $10




    I aborted the crass recursions with which the URBAN METAL insutured and pared my face. My faciality was the rendered heart of a LUXURIOUS SHREW. I ought to conceal ye by confiding in me. I ought to explicate the HORROR CRIME and make a special section of THE BOOK. It was given to me that an enormous black peach grew in my savior’s eye and he was therefore named SIGURD-PEACH-IN-THE-EYE.


    THE CENTER IS BARBARIC THE PERIPHERY IS WITHOUT LIGHTS will be published in the fall of 2015 in a hand-typeset, letterpress edition of 150.






  • Price $10



    I only thought of the farm of owning the farm I only thought with my brother gone I could own his half with my father gone I could have it all & my sister to cook & my sister to run the house & the land only mine & the land had a lake & we could neither of us swim.


    I only thought of the farm will be published in a hand-typeset, letterpress edition of 150 in August 2015 in collaboration with Austin, TX printmaker Laura Brown.






  • Price: $10



    when I saw the
    / constancy of dome coming together /
    Figure in all that all my scars seem silly /
    when I eat the birds / and the drought / in parts we strip
    the caribou /
    gristling percussive knots / proof / of vague / watch the
    pigeons fall asleep / eaters / of the only pit / choired
    that before the lowering / the
    placement.


    Note on Tundra will be published in August 2015 in a hand-typeset, letterpress edition of 150.








  • Price: $10



    Pudding time is a most auspicious time.
               Pudding poke or pudding prick?
                          That's a slender and lithe stick of pine.

    I have an extra room, which is actually a crushed velvet ocean
               hiding behind another ocean.
    I have an extra room with a mythical stash of bar mops.
    I have a dignified extra room and it has to cut you in half.


    Pudding Time will be published in August 2015 in a hand-typeset, letterpress edition of 150 with original art by the author.



  • Price: $10                            



    Palmetto bug, palmetto state. That was so gross. It was so good.
    I’m in a taxi, a hearse goes by on a tow truck. You think that sounds
    about right. Right up my alley. And I still want to write about the 

    stray dog we 
    didn’t pick up. 

    If I had a ghost fetish I’d move to New Orleans. I’d move to Arizona
    if I had an asshole fetish. I want a genie so I can wish for unlimited
    sex, unconditional love, and someone to watch tv with. Nothing 

    risked, nothing
    lost, nothing hurt.


    Or, as Christian Hawkey says of this chapbook: "A friendship feed that feeds on whatever diamonds daily life: shared bruises, news, pop stars, humiliations, sex. It's a joyfully messy flesh."


    Diamonds in the Flesh by Krystal Languell & Robert Alan Wendeborn. Letterpress covers designed and printed by Jeff Peterson. $10.

  • Price: $10                            



    Other than skin, porphyry
    story, proper dark among
    friends, Sean's job is
    Dan's cream door I

    push a cushion against


    CATENA by Gracie Leavitt, letterpress printed from hand-set metal type and photopolymer plates. $10

  • Price: $10                            




    talking talks us into the 
    flood & into the light
    talking but everything we say
    is breath torqued from an
    outside space, the phantom limb

    of a crazy neighbor. I'm
    not trying to cheapen it.

    בראשונה (Barishonah) by Ian Dreiblatt, letterpress printed from hand-set metal type. $10



  • All-Letterpress mini-chaps

    Ian Dreiblatt - בראשונה (solicited fall 2014)
    Lisa Ciccarello - I only thought of the farm
    Tim Earley - The Center Is Barbaric The Periphery Is Without Lights
    Matthew Johnstone - Note on Tundra
    Christine Kelly - Pudding Time
    Gracie Leavitt - CATENA

    Partially Letterpress maxi-chap

    Krystal Languell & Robert Alan Wendeborn- Diamonds In the Flesh



    Seven books. $65. Shipping included.


  • Price: $8                            


    "These poems were written during one year of teaching high school. The writing comes from three sources: remarks students made during the school year, my own writing during in-class writing excercises, and notes taken during faculty meetings."
    - John Colburn

    Adventures in Dream School: a Child's First Handbook of Visionary Practices, by John Colburn. Covers for this book were letterpress printed from polymer plates in February 2014. $8

  • Price: $5                                


    "There were others excited about books made in dining rooms. About a century of small press. Students found objects in archives. Making paper into a story. White gloves. She hemmed the books. There were field trips to a collective press. There was collaboration, stab-bound. Objects loosened their hold of logic: the cracking could be creative. Why was she trying to keep things safe?" (10)

    Charting Practice: A Fictive Essay, by Stephanie Anderson, is the third essay in the Poetics of the Handmade Series, which asks writer-bookmakers to discuss the whys, hows, and wherefores of micropress publishing. 

    Covers were hand-set type printed in January 2014 on commercial paper. Small press publishers and other makers are invited to trade for a copy of this essay: please email doublecrosspress@gmail.com to discuss trades. Otherwise, the book costs $5.

  • Price: $5                                
    "Most of the poetry I print comes from a direct encounter with the poet reading their work: I hear a poem and I want to print it. It's a physical urge. I literally want to get it into my hands in a way that rhymes with Pamela Smith's assertions, in The Body of the Artisan, that there is a deep epistemological tie between 'the body and bodily knowing' and 'tacit artisanal knowledge' (6)."

    Paradise Was Typeset is the first essay in the Poetics of the Handmade Series, which asks writer-bookmakers to discuss the whys, hows, and wherefores of micropress publishing. Like the books Brian Teare publishes under his Albion Books imprint, these chapbooks are made entirely of surplus papers ("offcuts") from other book projects. Small press publishers and other makers are invited to trade for a copy of this essay: please email doublecrosspress@gmail.com to discuss trades. Otherwise, the book costs $5.

    This second edition's covers were letterpress printed from handset type on commercially-made papers in May 2013. 

  • Price: $5                      
    "Historically, friendship has housed poetry not only in terms of readerships (think of all the poetries born of friendship), but also in terms of presses. When good work was not/is not able to find an equally good home for too long, friends start their own press. They publish their friends' work; they make new friends in the process. These small presses are the no kill shelter for experimental writing." (6)

    Country Music is the second essay in the Poetics of the Handmade Series, which asks writer-bookmakers to discuss the whys, hows, and wherefores of micropress publishing. This essay by Ark Press publishers Nathan Hauke and Kirsten Jorgenson discusses Ark's projects in its first year: writing workshops, readings, poetics talks, broadsides and chapbooks, all made and carried on in the small town of Todd, North Carolina. 

    The first 50 copies of this book feature the handmade paper label shown above; the remainder of the edition's  labels will be printed on green Ingres paper. Small press publishers and other makers are invited to trade for a copy of this essay: please email doublecrosspress@gmail.com to discuss trades. Otherwise, the book costs $5.

  • 1st edition SOLD OUT    


    photos by Jes Shimek (http://www.jesleestudios.com/)

    "Most of the poetry I print comes from a direct encounter with the poet reading their work: I hear a poem and I want to print it. It's a physical urge. I literally want to get it into my hands in a way that rhymes with Pamela Smith's assertions, in The Body of the Artisan, that there is a deep epistemological tie between 'the body and bodily knowing' and 'tacit artisanal knowledge' (6)."

    Paradise Was Typeset is the first essay in the Poetics of the Handmade Series, which asks writer-bookmakers to discuss the whys, hows, and wherefores of micropress publishing. Like the books Brian Teare publishes under his Albion Books imprint, these chapbooks are made entirely of surplus papers ("offcuts") from other book projects. Small press publishers and other makers are invited to trade for a copy of this essay: please email doublecrosspress@gmail.com to discuss trades. Otherwise, the book costs $5.

    FIRST EDITION SOLD OUT: The second edition is available here.

  • Price: $33              

    All 3 issues of We Are So Happy to Know Something! $33, including shipping! 

    Issue 1 with: Samuel Amadon and Stephanie Anderson of Projective Industries, WASHTKS includes poems by: Michael Schiavo, Patrick Masterson, Erin Lyndal Martin, Farrah Field, Paige Taggart, Eric Elshtain, Matthias Regan, Amanda Nadelberg, Adam Clay, Fred Schmalz, Andy Gricevich, Ryan Murphy, Rachel Moritz, Ben Estes, Tony Mancus, Leora Silverman Fridman, Nate Pritts, Joseph Wood

    Issue 2 with: Jared White, Cecily Parks, Brian Foley, Phil Cordelli, Lily Brown, Alice Notley, A K Beck, Kate Schapira, Heather Palmer, Linnea Ogden, Friedrich Kerksieck, Bronwen Tate, Emily Jones, Dot Devota, Anne Shaw, John Harkey, Genevieve Kaplan, Carol Ciavonne, Justin Runge, Elisabeth Workman, Rachel Beck, Sarah Fox, Kate Thorpe, Nathan Hauke, and Kirsten Jorgenson

    Issue 3 with: Ricardo Maldonado, Geoffrey Hilsabeck, Steven Karl, Rebecca Lehmann, Jared Schickling, Brandon Shimoda, Paula Cisewski, Jessica Richardson, Brian Teare, Jane Wong, Daniela Olszewska, Jennifer Karmin, Nate Slawson, Michelle Taransky, Jen Tynes


  • Price: $23               

    Choose any 2 issues for just $23. 

    Issue 1 with: Samuel Amadon and Stephanie Anderson of Projective Industries, WASHTKS includes poems by: Michael Schiavo, Patrick Masterson, Erin Lyndal Martin, Farrah Field, Paige Taggart, Eric Elshtain, Matthias Regan, Amanda Nadelberg, Adam Clay, Fred Schmalz, Andy Gricevich, Ryan Murphy, Rachel Moritz, Ben Estes, Tony Mancus, Leora Silverman Fridman, Nate Pritts, Joseph Wood

    Issue 2 with: Jared White, Cecily Parks, Brian Foley, Phil Cordelli, Lily Brown, Alice Notley, A K Beck, Kate Schapira, Heather Palmer, Linnea Ogden, Friedrich Kerksieck, Bronwen Tate, Emily Jones, Dot Devota, Anne Shaw, John Harkey, Genevieve Kaplan, Carol Ciavonne, Justin Runge, Elisabeth Workman, Rachel Beck, Sarah Fox, Kate Thorpe, Nathan Hauke, and Kirsten Jorgenson

    Issue 3 with: Ricardo Maldonado, Geoffrey Hilsabeck, Steven Karl, Rebecca Lehmann, Jared Schickling, Brandon Shimoda, Paula Cisewski, Jessica Richardson, Brian Teare, Jane Wong, Daniela Olszewska, Jennifer Karmin, Nate Slawson, Michelle Taransky, Jen Tynes


    Issues
  • Price: $8                    
    photo by Jes Shimek (http://www.jesleestudios.com/)


    come embody my new way to have seen // only once through the glass
    we put blood inside our veins // we began
    moving objects look more familiar than stillness // stillness rests too incidentally
    have trouble changing internal medicine // knitted disruption // peaking hour

    The Ice Poems by Paige Taggart, with letterpress covers designed by Jeff Peterson. $8

  • Price: $8               
    photo by Jes Shimek (http://www.jesleestudios.com/)


                                                     In podunks
                             they call this trick THE FIFTH
                             SEASON, or TWO HEADED
                             OUT OF FULL DARKNESS.

    The Black Mariah by Jen Tynes. Letterpress covers printed from wood type. $8

  • Price: $8                   
    photo by Jes Shimek (http://www.jesleestudios.com/)
                         

                            This is our house--This is our pillar

                             the only cottage in the depot
                             naturally the light is downstairs

                             This is ours

    O Town Heights mashes-up text from Our Town, Wuthering Heights, and The Fountainhead. Poem by Dolly Lemke in book with letterpress covers designed by Jeff Peterson. $8


  • Price: $13                
    photo by Jes Shimek (http://www.jesleestudios.com/)

    Produced in collaboration with Projective Industries and featuring poems by Ricardo Maldonado, Geoffrey Hilsabeck, Steven Karl, Rebecca Lehmann, Jared Schickling, Brandon Shimoda, Paula Cisewski, Jessica Richardson, Brian Teare, Jane Wong, Daniela Olszewska, Jennifer Karmin, Nate Slawson, Michelle Taransky, and Jen Tynes.  5.5" high x 4.25" wide, with letterpress printed covers. $13


  • SOLD OUT                 



    photo by Jes Shimek (http://www.jesleestudios.com/)


    The Grave on the Wall: poems and drawings by Brandon Shimoda. Letterpress printed from photopolymer plates on Sumi-E paper; daifuku cho-style binding. Covers in blue, white, tan, or orange.


  • Price: $15                            
    photo by Jes Shimek (http://www.jesleestudios.com/)


    WE ARE SO HAPPY TO KNOW SOMETHING 2, published in cooperation with Projective Industries. Poems by: Jared White, Cecily Parks, Brian Foley, Phil Cordelli, Lily Brown, Alice Notley, A K Beck, Kate Schapira, Heather Palmer, Linnea Ogden, Friedrich Kerksieck, Bronwen Tate, Emily Jones, Dot Devota, Anne Shaw, John Harkey, Genevieve Kaplan, Carol Ciavonne, Justin Runge, Elisabeth Workman, Rachel Beck, Sarah Fox, Kate Thorpe, Nathan Hauke, and Kirsten Jorgenson. 5.5" high x 4.25" wide, with letterpress printed covers. $15

  • Price: $15                        

    Produced in collaboration with Samuel Amadon and Stephanie Anderson of Projective Industries, WASHTKS includes poems by: Michael Schiavo, Patrick Masterson, Erin Lyndal Martin, Farrah Field, Paige Taggart, Eric Elshtain, Matthias Regan, Amanda Nadelberg, Adam Clay, Fred Schmalz, Andy Gricevich, Ryan Murphy, Rachel Moritz, Ben Estes, Tony Mancus, Leora Silverman Fridman, Nate Pritts, and Joseph Wood. $15